2009年考研英語40篇大作文演練與名師點(diǎn)評(píng)

第三四篇

　　34 Study the following picture carefully and write an essay in which you should:

　　1. describe the picture;

　　2. interpret the meaning of the picture;

　　3. make your comments.

　　You should write 160~200 words neatly on ANSWER SHEET 2.這是一幅發(fā)人深省的圖畫。文章可以分為四段來寫。第一段描述圖畫，第二段分析圖中句子與人們平常想法的不同，第三段進(jìn)行剖析與解釋，第四段是結(jié)語。The picture features a person who is indulged in deep thinking before a maze. Besides the picture, there is a thought�瞤rovoking sentence: the best way to go through a maze is walking outwards from the center instead of walking inwards.

　　This statement is most difficult to understand and is obviously contrary to common sense. On the one hand, if walking into the maze, like working out a puzzle or tackling a math problem, is a game or a competition, there must be rules to prohibit walking outwards. It is also nearly impossible for a person to do so for if he can start from the center, he has already won the game. On the other hand, if this maze is a common building that is big enough, how could it be possible for a person to start from the center if he is outside in the first place?

　　Such simple reasoning is deeply rooted in many people�餾 hearts. We turn to particular patterns time after time in our life, and limit our thinking by rules or by common attitude. If we already start from the entrance, then much time will be wasted at various crossroads and dead ends. If we want to improve efficiency at first and then life quality afterwards, we should and must change our traditional mode of thinking. Imagining that we are already at the center of the maze will help solve the puzzle to a great extent—by thinking reversely from the destination, we will find out the road of our dream step by step.

　　Life is full of situations just like mazes, but it has not so many rules or walls to forbid starting from inside. Life�餾 biggest tragedy may be that when we finally realize that we have to change our role from a competitor or problem solver to a judge or maze designer, we have already been old. 第一段首先對(duì)圖畫進(jìn)行了簡(jiǎn)單的描述，而后將圖旁的重要句子譯了出來。

　　第二段第一句是段落的統(tǒng)領(lǐng)句，說上述的句子難以理解，與常識(shí)相悖。而后分兩個(gè)方面來說。首先說如果進(jìn)迷宮像破解謎題或做數(shù)學(xué)題一樣是個(gè)比賽或競(jìng)賽的話，必有規(guī)則去禁止從里往外走。同時(shí)這也不可能，如果他可以從中心出發(fā)向外，他已經(jīng)贏得了比賽。第二點(diǎn)說如果迷宮像建筑物那樣大，如果一個(gè)人先在外面，又怎么可能從中心出發(fā)呢？

　　第三段是全文的核心，共分五句話，由普通到特殊，由尋常到不尋常，由正常思維到逆向思維，一步步將圖畫所配的核心句子的意義揭示出來，效果強(qiáng)烈。第一句說這樣簡(jiǎn)單的推理深深植根于許多人的心中。第二句說我們?cè)谏�活中�?jīng)常會(huì)使用固定的模式，而被規(guī)則或眾人的想法所限制。第三句說如果我們總由規(guī)定的入口開始，那么許多時(shí)間將會(huì)浪費(fèi)在十字路口和死胡同上面。第四句說如果我們想提高效率和生活質(zhì)量，就應(yīng)該也必須改變傳統(tǒng)的思維模式。第五句想象著我們從中心開始將會(huì)在很大程度上幫助解決謎題——從目的地進(jìn)行逆向思考，我們將能一步步地推導(dǎo)出那條夢(mèng)想中的道路。

　　這段話告訴我們，逆向思維能幫我們?yōu)V掉許多不切實(shí)際的可能性或者選擇，一開始就確定我們能夠成功再反推至成功所需經(jīng)歷的挫折與不尋常的道路，對(duì)提升我們的工作效率乃至生活品質(zhì)極其有益。

　　最后一段是結(jié)語。第一句話說生活充滿了類似迷宮的情形，而生活中并沒有那么多的規(guī)定來限制從內(nèi)部出發(fā)。第二句話說生活的最大悲劇可能是當(dāng)我們最終意識(shí)到我們應(yīng)將角色從競(jìng)賽者或問題的解決者向裁判或迷宮建造者轉(zhuǎn)變時(shí)，我們已經(jīng)老了。這里的第二句話意義非常深刻，是對(duì)第三段后面一部分的進(jìn)一步拓展。第一個(gè)對(duì)比是競(jìng)賽者與裁判——旁觀者清，比賽的裁定者肯定是對(duì)整個(gè)過程了然于胸的人，對(duì)比賽者的每一個(gè)彎路與每一次失誤都清清楚楚。而后一個(gè)對(duì)比就更加石破天驚——誰最了解迷宮？當(dāng)然是迷宮的設(shè)計(jì)者，這樣的人極少，但正是他們掌握著最核心的秘密。同樣要抓住人生道路上各種問題的核心秘密，很重要的一點(diǎn)就是抓住事物的本質(zhì)與核心，從中心出發(fā)，想象一個(gè)結(jié)果已經(jīng)成立，再來找所需條件，事情就要簡(jiǎn)單得多。這篇文章比較難，屬于哲理類的文章。從2007年及近幾年真題來看，現(xiàn)在正進(jìn)入一個(gè)由時(shí)事向哲理逐步過渡的階段。這一階段的特點(diǎn)就是圖畫作文越來越少地借助圖中或圖旁的文字，且圖畫越來越抽象，這對(duì)大家的思考力和判斷力的要求就越來越高。大家一定要養(yǎng)成看圖識(shí)圖的習(xí)慣，提高正確讀圖與推理的能力。切忌帶著腦中固有的想法去讀圖，把圖畫往背好的文章上去套。切忌任思緒飄移，離圖太遠(yuǎn)。其次，在確定文章的整體結(jié)構(gòu)后，應(yīng)對(duì)每段的寫法有個(gè)初步的安排，這時(shí)可把出彩的詞句等考慮進(jìn)去。再次，平時(shí)在讀與背范文時(shí)，摘抄各類閃光點(diǎn)，有意識(shí)地進(jìn)行口練或筆練，并在考前慢慢地積累活用的感覺。